A significant other to Medieval Art brings jointly state-of-the-art scholarship dedicated to the Romanesque and Gothic traditions in Northern Europe.
• Brings jointly state-of-the-art scholarship dedicated to the Romanesque and Gothic traditions in Northern Europe.
• comprises over 30 unique theoretical, ancient, and historiographic essays by means of well known and emergent scholars.
• Covers the vibrancy of medieval paintings from either thematic and sub-disciplinary perspectives.
• positive factors a global and impressive variety - from reception, Gregory the nice, gathering, and pilgrimage paintings, to gender, patronage, the marginal, spolia, and manuscript illumination.
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Extra resources for A Companion to Medieval Art: Romanesque and Gothic in Northern Europe (Blackwell Companions to Art History, Volume 2)
Indd 30 6/03/2014 10:04 am sources of tactile imagination 31 26. Tactile Rolling Pin, 1990 27. indd 31 6/03/2014 10:04 am 32 Touching and Imagining 28. Masturbation (tactile object), 1975 Masturbation (Experimentation with pictorial analogies to a tactile object) Participants: František Dryje, Michel Dubret, Gilles Dunant, Vratislav Effenberger, Jiří Koubek, Emila Medková, Vince. The object began with a free association of tactile ideas and was named ‘Masturbation’. For obvious reasons I limited my own participation in the experiment to verbal interpretation of the object.
We carried out the following examinations: blood pressure 120/80, urine completely negative, specific gravity 1020. Internal examination: chest X-ray, electro cardiogram normal, neurological examination, X-ray of stomach and bowels generally within physiological limits. During her stay in the clinic she complained that the parasites were crawling up her back and causing itching over her entire body. She was treated with antihistamine medications and hydrotherapy. She was discharged only partially better, prematurely, because her mother became ill.
It is not easy to determine which of the missing aspects of the description are results of inaccuracy and which are subjective preferences. Missing in the description: the bead buckle, the sock with bottle corks, the wads of material in the sack with walnuts (in the text there is mention only of walnuts) the buttons, tassels, even the balls are missing. The weight of the pull-down lamp is described only emotionally. Alena Nádvorníková In the description of the sock with walnuts, the buttons are missing.
A Companion to Medieval Art: Romanesque and Gothic in Northern Europe (Blackwell Companions to Art History, Volume 2)
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