Apollinaire, Guillaume; Bohn, Willard; Apollinaire,'s Apollinaire on the edge : modern art, popular culture, and PDF

By Apollinaire, Guillaume; Bohn, Willard; Apollinaire, Guillaume

ISBN-10: 9042031085

ISBN-13: 9789042031081

ISBN-10: 9042031093

ISBN-13: 9789042031098

The identify of the current examine refers back to the proven fact that Apollinaire continuously labored on the leading edge of contemporary aesthetics. the quantity seeks to rehabilitate 4 experimental genres particularly that experience acquired rather little realization. the 1st bankruptcy examines an enthralling artist's booklet entitled The Bestiary, which positive aspects illustrations by way of Raoul Dufy. the second one is anxious with a gaggle of poems that remember traditional, daily life. the subsequent bankruptcy considers Apollinaire's little-known debt to kid's rhymes. the ultimate bankruptcy discusses an avant-garde drama that was once destined to play a key function within the evolution of recent French theater. This ebook might be of curiosity to a person drawn to avant-garde aesthetics. it's going to charm not just to students of twentieth-century poetry but in addition to devotees of recent paintings and smooth theater

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Extra resources for Apollinaire on the edge : modern art, popular culture, and the avant-garde

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Unlike the author of “A Linda,” they were not attracted to abstract poetry. Apollinaire’s true heirs were the Dadaists, who attempted to re-invent poetry a few years later. Beginning with Hugo Ball’s “O Gadji Beri Bimba,” the Zurich group experimented with phonetic poetry, while Man Ray and others composed purely visual poems. Raoul Hausmann eventually combined the two strains to create optophonetic poetry. To be sure, poetry is not the only arena in which sound and typography play a fundamental role.

62 Apollinaire on the Edge angle, Apollinaire managed to give it a brand new life—much as pop artists would do with soup cans and soap boxes many years later. However, the closest parallel is with Dada instead of neo-Dada—with Marcel Duchamp instead of Andy Warhol. For the 50 centime coin is not a symbol of popular culture but rather an objet trouvé (“readymade”). By singling it out, giving it a title, and exhibiting it in a privileged space, Apollinaire transformed the coin into a work of art.

Apollinaire and the Whatnots 53 Periods are frequently replaced by commas, for example, and commas are eliminated when nouns occur in a series. Among other things, the passage reminds us what a nuisance it was to write with a steel-tipped pen—or even a fountain pen. While they represented a significant advance over earlier implements, they required the constant use of a blotter. The final reference is especially interesting in the light of subsequent remarks by Apollinaire. The Swedish matchbox reappeared unexpectedly the following year in a letter he wrote to Georgette Catelain.

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Apollinaire on the edge : modern art, popular culture, and the avant-garde by Apollinaire, Guillaume; Bohn, Willard; Apollinaire, Guillaume


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